Classic Rock Review

The home of old record and bootleg reviews…

Free Fire And Water (Deluxe Edition) (1970/2008)


The album:
Preceded by their debut “Tons Of Sobs” (recorded in October and December 1968, released in March 1969) and their 2nd album “Free” (recorded in April and June, released in October 1969), Free’s third landmark LP “Fire And Water” was delivered to an expectant public in all its 7-track simplicity and glory on 26th of June 1970 as Island ILPS 9120. Prepped by the edited single of “All Right Now” in May 1970 (Island WIP 6082), which raced up to number 2 in the charts, the album delivered what the public seemed to already know – here was a truly great British band hitting its stride.

This is the 3rd CD incarnation of the original LP, a 1986 crappy non-remaster, a far better 2001 Remaster with 6 bonus tracks – and now this – a 30-Track 2CD Deluxe Edition issued on 18 March 2008. For fans who already own the 2001 remaster and probably also have the 4CD “Songs Of Yesterday” Box set that went before it in May 2000, for all its comprehensiveness, this 2CD set offers only 5 Previously Unreleased Tracks. So if you can buy the 2001 remaster for a fiver or less anywhere, why pay £15 for this 2CD set – the answer is threefold – the packaging, the extras (4 out of 5 of them are actually great) and above all – the sound – which is the best ever. Here’s the breakdown…

The booklet contains black & white photos, reproduction of concert tickets, press adverts, in the studio colour photos and a detailed history of the albums path to number 3 in the UK charts in July 1970. The CDs themselves reflect the original `Pink’ Island label design on 1st pressings of the LP and the original master tape boxes are pictured underneath the two see-through trays – a nice touch on both counts.

There are five previously unreleased versions:
Track 9, Disc 1: “Mr Big”, from the BBC’s John Peel Show, recorded 15 Jan 1971
(very disappointing, not a great recording, with really muddy sound; it’s easy to see why it’s been left off previous releases)
Track 7, Disc 2: “Fire And Water” (Backing Track)
(a really interesting `work in progress’ from February 1970 mixed in 1999, Take 5 contains studio chatter at the beginning and then the band working nicely through the backing track – Kirke’s drumming fantastic, but it ends oddly and abruptly)
Tracks 11, 12 and 13, Disc 2: “All Right Now” (Takes 1, 2 and 3)
All three takes were recorded as part of filmed promotional shorts for “All Right Now” and “The Stealer” in October 1970. Instead of miming, the band played live (the two videos turn up on the “Free Forever” DVD set) and these `live’ takes are superb and genuinely deserve the moniker `bonus tracks” – they even include the squeaking of Simon Kirke’s drum stool! Fans will have to have these.

Even though the outside packaging seems to be saying that the remaster is ‘new’, the 20-page booklet confusingly states that the remaster used is the 2001 one done by Peter Mew at Abbey Road – the same as the single disc that’s been on the market for years? But the sound on this release is different – it’s far better.

Free were a `loud’ band and the recordings at the 8-track Trident Studios reflected their hairy-arsed live rock band nature – in other words the recorded results were not exactly going to win audiophile gongs. The tapes were then remixed onto the 16-track facility at Island’s new studio in Basing Street. But even then, Chris Blackwell, label founder and leader, hated the results. So more mixing was done. But even to this day, the further mixing and remixing before the album was finally released still gave us a less than great sonic result. I mention all of this because the liner notes to this release talk of major audio restoration having gone into the 1999 and 2001 remastering process – and now again on this 2008 version – and man can you hear it!

Take Side 2 of the original album, “Mr Big”, “Don’t Say You Love Me” and “All Right Now” – when I A/B the sound on my 2001 issue to this 2008 issue, the huge difference is the removal of `almost’ all of the hiss that was omnipresent on the 2001 remaster which marred the listen enormously. The result is that instead of being saturated in a rough and ready hissy wall, the band suddenly explodes out of the speakers with an intensity that will thrill fans to their very core! I would describe it like this – it’s as if I’m listening to the full power of Free for the first time. With this new clarity, the opening and eventual build up in “Mr Big” to a guitar crescendo has to be heard to be believed! It’s enormous and just awesome to hear! The beautiful “Don’t Say You Love Me” is truly gorgeous now, especially when the lovely piano addition comes in, while the fantastic anthem that is “All Right Now” has you hearing Kossoff’s plectrum scratching off the pick-ups – little guitar flicks before he goes into the big riff, the clarity of Fraser’s bass work and other nuances that I’ve just never heard before. Don’t get me wrong, there is `hiss’ on these recordings, but the removal of even half of it has made the band come alive to my ears. Wonderful stuff!

To sum up, “Fire And Water” is a great album, and this Deluxe Edition of it gives the great record a stunning sonic upgrade. Throw in all the live versions and alternate takes around its release, decent liner notes and packaging, all topped off with 4 out of the 5 previously unreleased tracks actually worth owning – then indeed you have something special.

There have been some stunning issues in Universal’s Deluxe Edition series (check out the Whiskeytown “Strangers Almanac” double) and this is another. Regardless of the price, Free fans will have to own it, and the uninitiated can discover why Britain and the world went mad for the Free and their `rawk’. What a band!

January 21, 2014 Posted by | Free Fire And Water (Deluxe Edition) | | Leave a comment

Zeppelin take the states by storm (May 1973)


The latest Led Zeppelin tour is taking America by storm, proving yet again that this is the top rock ‘n’ roll band in the world.

There are no exceptions, no maybes, no ifs or buts. Not Alice Cooper, not the Rolling Stones, not the Who. There isn’t a group anywhere that could come close to sinking the Zep.

The band’s fifth album, ‘Houses Of The Holy’, hit number one on the North American best-selling lists after only five weeks of release – against super stiff opposition from the Beatles oldies, Bread, Pink Floyd, Alice Cooper and Edgar Winter.

The feat is made even more notable when you realise that ‘Houses Of The Holy’ is receiving virtually no airplay on AM radio in the U.S. Most American top 40 stations do not programme and album cuts.

Instead they concentrate on oldies and to this end, the Beatles two albums were snapped up like the choicest remnants at a bargain basement sale. Yet still Zep got there first.

Members of the Zep and Atlantic Records are now trying to decide which cut to release as a single. There’s been a lot of talk about ‘Over The Hills And Far Away’. Personally I prefer ‘D’Yer Mak’er’ which strikes me as a certain number one.

Any rock critic worth his free records and concert tickets would hesitate long and hard before introducing the Beatles as one end of any analogy. Yet in the case of Led Zeppelin, it’s desperately hard to avoid.

Take, for example, the first two concerts on Zep’s 1973 North American tour.

UntitledAt the opening night gig in Atlanta Braves Stadium, Led Zeppelin smashed the seven-year old attendance record set by the Beatles in 1965. The Liverpool lads drew 33,000 people. Zep pulled in 49,236 fans for a total gross of 246,180 dollars. That’s virtually a 50 per cent improvement on the Beatles best in Atlanta.

Moving on to Tampa, Fla., Zeppelin drew the largest crowd ever to a single concert performance in U.S. history. The band attracted almost 57,000 patrons for a gross of 309,000 dollars.

The old record was held by the Beatles’ crowd of 55,000 for a gross of 301,000 dollars at Shea Stadium in 1965, at the height of Beatlemania.

Led Zeppelin would have walked away from Tampa at least 200,000 dollars richer, which is not bad at all for a couple of hours on stage. They were probably the two most lucrative hours in show business history.

There’s never been anything like it. I am now convinced that Zepp could outdraw the Stones, Alice Cooper, Carole King or Elvis Presley in any U.S. city you care to mention.

So much for the cynics who doubted if Zepp still had U.S. drawing power. And for the critics who arrogantly and ignorantly said the album sucked. Led Zeppelin reign supreme and it’s high time many more members of the media realised it.

January 21, 2014 Posted by | Zeppelin take the states by storm | , | Leave a comment