Classic Rock Review

The home of old record and bootleg reviews…

Steve Hackett Genesis Revisited (2005)


Wow! Quite the feat! Obviously, a great deal of work, and love, were put into this album, not to mention production!

Having heard Genesis mostly from “Selling England by The Pound”, onward (except for “Watcher of the Skies”) there are some songs I’d never heard before. The third, for example, is a killer instrumental with Steve playing an insane, frantic Jeff Beck-like, seething solo. In fact, Jeff was one of Steve’s influences, and he quotes Jeff (from the Yardbird’s: “I Can’t Make Your Way”) fom 6:05 to 6:11 minutes into the track, “Fountain of Salmacis”, one of the great pieces I’d never heard before.

Prior to that, (though I haven’t really read the notes), I’m guessing that’s probably Steve singing through some device on “Dance on a Volcano”, which I’m sure most people would agree would have been much better suited to Paul Carrack, (who sings on a couple of other pieces), in the upper registers. However, in a couple of sections (when the vocal “octavider”, or whatever it is, goes ominously low) it couldn’t sound cooler! Perhaps if he’d sung the “whole” song like that, it might have worked better.

But there’s plenty of amazing things happening throughout this album. Like “Watcher of the Skies”,(imagine Steve playing this with King Crimson, since three key members of that band are playing it with him), and the amazing interpretation of “Firth of Fifth”, with some beautiful classical guitar in the middle, and then Steve demonstrating he’s one of the best rock guitarists in the world in the following section, not just with speed, but taste, and (more importantly something sorely missing these days),”creativity”.

The orchestra, at the beginning of this piece, recalls something enchanting, and beautiful not unlike “Nutcracker Suite”. Too bad that section wasn’t even longer! “Your Own Special Way” is nice, but occasionally there’s a little synth “riff” that sounds a little too “soft rock”, but Steve (I think wisely), leaves out the familiar riff in the chorus, and does a brilliant solo, that I can’t possibly imagine being topped by anyone on the planet!

“Waiting Room Only” is the “strange” piece, pretty much a “Number Nine”-ish, weird bit of Hackettry- at first. But by about two minutes into the piece, it starts to get rather interesting, and soon, more “musical”, with some fairly cool stuff going on.

I have to admit that I don’t really care for the following version of “I Know What I Like”, except for the funny bits, and the famous solo that Steve pretty much keeps intact and even adds to, that is only now becoming deservedly recognized for being the very first “real” example of the two-handed, finger-tapping technique in rock guitar, years before Eddie Van Halen unjustly got all the credit.
At the beginning of “Los Endos”, Steve demonstrates that he can play a pretty decent bit ot Flamenco, and then the band goes into high energy mode, the rest of the song being intact with all kinds of great little moments, with great drumming and layered drums, synth guitar, mellotron, and so forth.

Overall, a great album, especially for the usually low price. But if you’re not that familiar with Steve Hackett, he has even better albums- since, and prior. But this is still a “keeper” considering that almost all of it is superb.

January 25, 2014 - Posted by | Steve Hackett Genesis Revisited | ,

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