David Bowie The Next Day (2013)
So this is what it’s like to be astonished by a new David Bowie album. Though I was living and breathing way back in the fall of 1980, I was much too young to have appreciated the release of Bowie’s last masterwork Scary Monsters. The thirty-plus years that separate Scary Monsters from his latest release haven’t exactly found Bowie in creative exile, wandering in the desert. In this time, he’s put out a handful of terrific singles and two very respectable albums – but “respectable” is faint praise for a giant who, during his heyday, created countless classic singles and nine unimpeachable albums in breathless succession over the course of ten years or so.
The enthusiasm that first followed the surprise announcement of The Next Day a few weeks ago (!), on Bowie’s 66th birthday, seemed more like dutiful goodwill afforded to a beloved artist rather than realistic hopes for a great album. The Next Day turns out not only to clear the low bar we tend to set for rock’s elder statesmen: Bowie’s new album rivals Bob Dylan’s “Love and Theft” as a triumph that requires no qualification or apology for age.
For “Love and Theft”, Dylan reshaped himself into the pre-rock Song and Dance Man he always claimed to be and delivered some of the finest music of his career. Bowie – no longer the chameleon – proudly returns in a unity of his many personas, as if while orbiting the Earth in suspended animation they had melded into a single being. This is no “comeback” for David Bowie. Rather, it is a magnificent continuation: an ellipsis connects his nine earlier masterpieces to his tenth, The Next Day.
As Ann Powers recently noted in a typically insightful piece for NPR, Bowie may have receded from the spotlight in the last decade, but his influence on popular music has been as potent and wide-ranging as ever. The Next Day emphasizes the contrast between master and mimic. Bowie doesn’t yet need an understudy.
The album’s many playful, reflexive winks at the Bowie mythos (from the album artwork on down to the “Five Years” coda on “You Feel So Lonely You Can Die”) shouldn’t distract from these fourteen superb songs, some of the most tuneful – and in some cases, daring – of his career. “Where Are We Now?,” a lovely and contemplative homecoming to the Berlin of Bowie’s celebrated triptych, was an intentional curveball-choice for a lead single. It’s not The Next Day’s only ballad. The album slows to a finish with plastic-soul bombast (“You Feel So Lonely You Can Die”) and a stunning dirge (“Heat”). But the vast majority of The Next Day is vibrant, even delirious, roaring with Bowie’s heaviest rockers and teeming with guitar hooks that just beg to be lovingly re-appropriated by James Murphy.
Longtime producer Tony Visconti and the expert session musicians who brought vitality toHeathen (2002) and Reality (2003) return to inject The Next Day with joyful noise. Bowie’s lyrics at times darken the album’s sonic radiance: with a medieval tyrant (“The Next Day”), a school gunman (“Valentine’s Day”), and the unwilling participants of war (“I’d Rather Be High” and “How Does the Grass Grow”). “(You Will) Set the World on Fire” casts a gimlet eye on the early-sixties Greenwich Village music scene. Totalitarian angst practically suffocates “If You Can See Me.”
“Here I am, not quite dying,” Bowie sing-growls on the riotous title track, which opens the album by kicking down the front door. The Next Day burns and raves with such miraculous moments. A train of elephants seems to march alongside a fat sax lick through the bluesy “Dirty Boys,” until the song turns feather-light during its chorus. The incessant, anxious ostinato of “Love is Lost” breaks into the slow swoon of “Where Are We Now?,” just as three minutes of whirling cacophony resolves with a glorious major chord on “If You Can See Me.” The mournful, psychedelic interplay between the guitar and synth on “Dancing Out in Space” could have been ripped straight from one of the Berlin albums. Two of Bowie’s oldest obsessions – the cosmos and celebrity – collide onThe Next Day’s resplendent standout “The Stars (Are Out Tonight).”
The Next Day feels like David Bowie’s swan song (again, that cover art). It almost certainly will be if he waits another decade to record a follow-up. Visconti claims there’s more to come, and soon. What an exit it would be, though. The Folkie, Ziggy Stardust, the Thin White Duke, the Melancholy Experimentalist, the Rock God, the Goblin King, and the Elder Statesman all finally converged on a single man. Cue a reading from Walt Whitman: “Do I contradict myself? Very well, then I contradict myself, I am large, I contain multitudes.”
March 25, 2013 Posted by Jerry | David Bowie The Next Day | David Bowie | Leave a comment
David Bowie The Next Day (2013)
From the charged chaotic bustle of its opening track, The Next Day is the sound of a man fully engaged and energised by life and his own musical past. On January 8, David Bowie celebrated his 66th birthday by unleashing his first new music in 10 years on an unsuspecting world.
The surprise may have faded, but now a full scale celebration can commence because The Next Day, the 24th studio album of his career, is quite simply one of Bowie’s greatest achievements. In the decade since he released his last album, Reality, the concerns for David’s health that followed his 2004 emergency heart surgery have been compounded by the starman’s almost total withdrawal from public life.
Many assumed an ailing Bowie was counting the cost of living a fast and dangerous life as he went under the radar in his New York-based retirement with model wife Iman and 12-year-old daughter Alexandria. But listening to this album, it’s easy to imagine Bowie hearing the rumours with wry amusement.
From the charged chaotic bustle of its opening title track, The Next Day is the sound of a man fully engaged and energised by life and, indeed, his own musical past.
1. THE NEXT DAY
The Dame’s first shot across the bows is delivered in droll, fast, furious and funny style. Guitars duel against a frenetic bustling beat and searing string arrangement. The lyrics could be playfully alluding to his health scare: “Here I am, not quite right/Plenty more shadows on the dancefloor for me”. A Diamond Dogs dystopian future is also suggested as the narrator goes “chasing through the alley”, professing he can’t get “enough of that Doomsday song”.
2. DIRTY BOYS
Anyone fearing that the contentment of married life has detached demon Dave from his bedhopping bisexual past can rest easy. This sleazy bump ’n’ grinder, edged along by Steve Elson’s rudely suggestive baritone sax, is funky musical molasses – an irresistible mutation of the ‘plastic soul’ sound he pioneered on Young Americans. Delicious.
3. THE STARS (ARE OUT TONIGHT)
With Dave on acoustic guitar, this cautionary anthem, dealing in both celebrity and destiny – “They’re waiting to make their moves on us/The stars are out tonight” – has a clear Ziggy Stardust allusion which is memorably picked up later on the album.
4. LOVE IS LOST
No one does inner turmoil, fear, unease and mournful longing quite like Bowie. Those qualities, reflected in some of his greatest tunes, are captured here in a robotic Berlin-era groove featuring Gail Ann Dorsey on bass and Gerry Leonard contributing an angry guitar squall under Dave’s doom-laden swoon announcing “this is the darkest hour”. It is a song for our time and all time, beautifully setting up the album’s introductory single.
5. WHERE ARE WE NOW?
Tentatively piecing together remnants of a dimly recalled past into a meditative prayer, Where Are We Now? is not afraid to show the tenderness and frailty that comes with age. It also boasts the melodic gift of a master.
6. VALENTINE’S DAY
Despite its title, the chances of this melodically memorable stormer taking its place as a cupid hitpick alongside Heroes may be compromised by its alleged subject matter, a high school shooting. Even so, the commanding vocal, aided by a key change lift-off, ensures a fantastically rousing tune.
7. IF YOU CAN SEE ME
Bowiephiles will have much to pore over lyrically on this album – not least in deconstructing the identity enacted on this chaotically-charged slice of Lodger-recalling Pan African psychedelia.
8. I’D RATHER BE HIGH
“I’d rather be dead or out of my head” cries a battle-scarred soldier against monster metal riffs that recall Sabbath’s War Pigs and Zeppelin’s Achilles’ Last Stand.
The desert setting suggests contemporary conflict, the language of drugged abandon masterfully manipulated to address the scourge of war. A great song for squaddies everywhere.
9. BOSS OF ME
One of the first to recognise the songwriting talent of Bruce Springsteen, Bowie’s playful genius is at work here.
With Elson’s baritone once more to the fore, this is like a Clarence Clemons-era Boss song turned upside-down.
10. DANCING OUT IN SPACE
Peppy and easy to handle pop, although not as immediately striking or inspiring as what has gone before. File under filler.
11. HOW DOES THE GRASS GROW?
Even as Bowie fondly rekindles his earliest musical loves (sampling the riff from The Shadows’ 1960 hit Apache), he adopts the persona of a unforgiving inquisitor with some extraordinary crooning.
12. (YOU WILL) SET THE WORLD ON FIRE
Key Bowie influence Bob Dylan and his fellow Greenwich Village folk heroes David Van Ronk and Phil Ochs are all mentioned in this blistering tribute to the potency of the early 60s scene in Bowie’s adopted hometown. Earl Slick pours six-string gasoline on top.
13. YOU FEEL SO LONELY YOU COULD DIE
This is the album’s stand-out track, its title taken from Elvis Presley’s first hit, Heartbreak Hotel. The churning wrath and suicidal anguish of the lyric, the blazing string arrangement, massed chorus and a drop into Ziggy Stardust’s Five Years drum pattern befit a suitably awesome showdown between the Duke and the King.
14. HEAT
The final track takes a magnificently unsettling left-field diversion. The stark portentous setting betrays the influence of Scott Walker, but Bowie’s fearsome brand of confession casts a spell only he can muster.
An all-conquering closer.
March 24, 2013 Posted by Jerry | David Bowie The Next Day | David Bowie | Leave a comment
David Bowie The Next Day (2013)
The thought of their own mortality does peculiar things to people. Often it makes elder statesmen release records such as Johnny Cash’s American Recordings suite – a final corpus of work that retroactively imparts all that came before with more gravitas.
In his seventh decade, David Bowie remains unlike all the other old dudes. Death stalks his 24th album – one crafted in secrecy redolent of the tomb. But it isn’t necessarily Bowie’s own death. The Next Day is packed with murderous tyrants, school massacres-to-be and snipers wishing they were dead. Its killer line has just a frisson of autobiography, from a singer whose work has rarely been self-referential, at least not in the mewling sense. “I stumble to the graveyard and I lay down by my parents,” Bowie sings on I’d Rather Be High, “Whisper: ‘Just remember, duckies, everybody gets got.'”
A heart attack truncated Bowie’s last tour back in 2004. Obituaries might well have been kept on standby thereafter as this once-dissolute pop star, one who had repurposed emaciation into a Romantic trope, became a near-recluse. Had Bowie’s final word been 2003’s serviceable Reality, his legacy as the British art-school pop star nonpareil would have retained its rude health. If there were one final single – Where Are We Now, say – its quavering tone and rheumy backwards glances at Bowie’s Berlin period would have made for a tidy coda. The Thin White Duke, after all, would have looked good in a convalescent day bed.
Instead we have The Next Day, a dense, angry, complex rock album. It’s priapic with saxophone and studded with riffs on old Bowie, rich with internal assonance (the vocal melody of Where Are We Now taken up by the guitar on Valentine’s Day) and many Davids singing (he’s like Scott Walker on the album’s closer, Heat). A week on from its debut on iTunes, it’s still hard to separate the quality of songs such as the excellent Dirty Boys from our collective need for this album to be a return to form, a scourge to those furred arteries, a bony two-fingered salute to the worms. If it is the mark of a satisfying album that you want to absorb every last note and reference, then The Next Day is a banquet, but one in which superfoods and gristle both feature.
Boss of Me sits ill here, from the ugly Americanism of its title to the lacklustre rock of its execution. If You Can See Me is, meanwhile, a drum’n’bass cut whose strangeness doesn’t overcome a 90s hangover. The verses of (You Will) Set the World on Fire are let down by its chorus. There are links backwards to Reality and 2002’s Heathen, most obviously Bowie’s desire to make statements about war, where in his pomp he just made up exotic and strange things.
But the tracks that bristle with guns – I’d Rather Be High, How Does the Grass Grow? – are rich and gory and recall (of all people) PJ Harvey. And if Bowie wants to cast celebrities as undead aliens, “sexless and unaroused”, preying on humanity, as he does on The Stars Are Out Tonight, then there are few stars who could do so with more authority.
Most satisfying of all, perhaps, is the swell of You Feel So Lonely You Could Die, which updates the Bowie of Rock’n’Roll Suicide. A bleak waltz that cries out for a lyric sheet, it’s the song that really nails the argument in favour of this late comeback, as vicious as it is bitter. Does he really sing, “I can see you as a corpse/Hanging from a beam”? Yes. Yes he does.
March 22, 2013 Posted by Jerry | David Bowie The Next Day | David Bowie | Leave a comment
David Bowie The Next Day (2013)
Earlier this year, someone in a position seemingly to know told me that David Bowie was on his deathbed, suffering from inoperable brain cancer. I passed this news on to a fellow Bowie fan, a friend with his ear to the ground in the music industry, who e-mailed back, “I’ve heard that too. I’ve also heard he’s A) dying from some mysterious virus; B) been incapacitated by a stroke; C) recovering from a near-fatal Catskills motorcycle accident. Probably not that last one, but who knows?”
A career spent courting otherworldliness, followed by a decade out of the public eye (and a 2004 heart attack), does tend to fuel morbid rumors. Fortunately, Bowie, at the age of 66, is perfectly healthy—or at least healthy enough to work, as only two days after I was assured he was drawing his last breath, his label announced he’d soon debut his first album of new songs in 10 years. The Next Day finally arrives this week, after a couple of videos and a pre-release stream on iTunes, and it’s quite good, too, although you should be wary of critics—even trustworthy me!—hailing twilight albums by classic-rock acts as “his best since Blood on the Tracks . . . or Band on the Run . . . or Graceland.”
One so wants one’s heroes to stick a final landing before the lights dim that it, perhaps, colors one’s judgment. So I won’t say this is Bowie’s best album since 1980’s Scary Monsters, which wouldn’t be true anyway, since his two most recent albums, 2002’s Heathen and 2003’s Reality, were also quite good. He’s been on a roll of late, albeit a slow one.
The trick for aging rock and pop stars is knowing when to stop chasing chart hits, when to relinquish a seat at the “cool kids” table and settle into making the best, most honest music one can. Bob Dylan righted his career in the early 90s with two albums of traditional songs and has since taken on grizzly old-timer status, writing and performing in a timeless, pan-roots style that encompasses folk, blues, R&B, early rock, and country.
At the opposite end of the Boomer spectrum, every new Rolling Stones album sounds like a mid-life crisis with the inevitable two or three stabs at a rewriting of “Start Me Up” (the priapism of which already felt canned back in 1981 when the song was released—and the band’s members were merely creeping up on 40).
Bowie spent much of the 1980s and 90s groping after the cutting edge. Of course, that was how he made his name in the 70s, too, borrowing shiny new sounds left and right with knowing panache. But where he used to run just ahead of the curve—pop’s sweet spot, as Madonna will also tell you—he lost a step or two as he aged. Nothing wrong with that; it happens to everyone sooner or later.
Bowie’s renaissance began at the dawn of the century when he reunited with Tony Visconti, his producer on many of his best 70s albums, and started making records that extended the dark, disjointed sound of great late-70s works such as “Heroes” and Lodger; for Bowie, this is what counts as roots music. He’ll never make a blues album and, ugh, who would want him to?
Visconti remains the producer on The Next Day, and the record’s packaging makes the connection with the earlier records explicit by repurposing the “Heroes” cover, with the old title crossed out and the new one splashed across a white, Post-It-like square that covers Bowie’s face—witty and self-conscious, Bowie at his best. His serial makeovers have prompted more bad rock criticism than any musician ever, with the exception of Dylan. The reason to listen to Bowie isn’t the posturing but his ability to write hooky, interesting, unobvious tunes that can bear repeated listening.
He does that on The Next Day, with several songs—“Valentine’s Day,” “I’d Rather Be High,” and “The Boss of Me” among them—that might have been minor hits in the late 70s or early 80s. (Nothing like a decade off to bank some memorable riffs and melodies.) It’s true that Bowie’s voice has thickened since we last heard him, but that might be a good thing, since it seems to limit the theatrical leaps and campy sobs that sometimes mar his vocals. This is vital, focused music. For a rock star in his seventh decade, that’s a wonder.
March 22, 2013 Posted by Jerry | David Bowie The Next Day | David Bowie | Leave a comment
David Bowie The Next Day (2013)
At 66, David Bowie is about eight years younger than Yeats was when he wrote “Politics.” If Bowie’s not old yet, he’s getting there, and “The Next Day” is his first album in 10 years. We’re told he made it because “today he definitely has something to say.” Since Bowie claims he will never give another interview, it’s up to us to ask, What is he trying to say? How well is he saying it? Are we obliged to care?
To answer those questions, we can compare “old Bowie” to the “young Bowie” who burst onto the scene with the hit single “Space Oddity,” in 1969, and went on to create the defining album of 1970s rock, “The Rise and Fall of Ziggy Stardust and the Spiders from Mars.” But we may also wish to compare “old Bowie” to his fellow aging legends — “old Dylan,” “old Cash,” “old McCartney,” “old Jagger.”
“The Next Day,” after all, is filled with references to Bowie’s catalogue — there are sonic and lyrical echoes of everything from “Life on Mars” to “Heroes,” to “Let’s Dance” — but it also contains a song about celebrities and a Dylan tribute (one that’s arguably better than 1971’s “Song For Bob Dylan”) alongside the expected meditations on mortality and the follies of youth.
Let’s start with the first thing you’ll notice: Bowie’s voice isn’t what it used to be. It’s been decades since he’s been able to produce the giddy elastic yelp of “Hunky Dory” or “Ziggy Stardust,” but even the sexy growl familiar from “Let’s Dance” has crumbled a bit. At times, Bowie sounds ageless; other times, he sounds like what he is: a sexagenarian who hasn’t really toured since having a heart attack nine years ago.
Does it matter? Not really. Unlike the two Pauls (McCartney and Simon), Bowie cannot claim vocal immortality, but he’s got about as much left as Mick Jagger, whose throaty lower register disappeared somewhere along the way. “Old Bowie” isn’t afraid to reach for a high note, and he does a lot of shout-y belting, but he’s most successful when he settles into a comfortable range and lets the years show.
So what is he saying? For one thing, that he still lives in the same world as the rest of us. This isn’t Neil Young emerging from the cellar with a jar of moonshine or Bob Dylan visiting from some wagon train in the 1800s. Bowie is keenly aware of his own celebrity, but it’s not some foreign, alienating imposition: he worked hard to be this notorious.
In “Where Are We Now?,” he sings, over “Life on Mars”-y piano chords, “Had to get the train / from Potsdamer Platz / You never knew that I could do that / Just walk in the day.” Add the sight of Bowie tooling around Berlin on foot to his existing gallery of enduring images — the astronaut so awed by the beauty of Earth that he decides not to return (“Space Oddity”), the city dwellers struggling to digest the news of impending armageddon (“Five Years”), the kids listening to alien transmissions over the radio (“Starman”).
Notice anything about those indelible visions? They’re all sci-fi fantasies involving celestial bodies, aliens and the great beyond, and Bowie continues the tradition on “The Next Day.” “Dancing Out in Space” is a meaningless but bouncy number that would have sounded great between Blur and Pulp singles on a dance floor in 1997, and “The Stars Are Out Tonight” is a joke that’s funnier if you know how orbitally obsessed Bowie has always been: at first, you think the names he recites — “Brigitte, Jack and Kate and Brad” — must belong to little kids looking at the stars, until it becomes clear they are the stars, the celebrities, who “burn you with their radiant stares and trap you with their beautiful eyes.”
Bowie isn’t just taking the train with us; he’s ogling celebrities with us, too, never mind that he is — or was — one of the biggest around. On the title track, Bowie sings, “First they give you everything that you want / Then they take back everything you had.” Has Bowie had his A-list all-access pass revoked? Not likely, but after all these years of reclusiveness, it’s possible the invitations have begun to dry up.
You get the sense, from the music but also from this video with Tilda Swinton, that Bowie has ambivalent feelings about his distance from the cultural tide. There was a time when he defined it, followed by a long period when he tried but perhaps failed to steer it in more esoteric directions; now all he can do is remind us how much he did to shape it — and impart a few lessons to those traveling in his wake.
On “Love Is Lost,” which begins like an old Squeeze song before veering into darker terrain, he addresses what sounds like a 22-year-old fashion model suffering through her first heartbreak: “Your maid is new and your accent too, but your fear is as old as the world.” Listen to Bowie, kid — he’s been there! And on “I’d Rather Be High,” a poppy ode to youthful indifference that doubles as a sly anti-war anthem, he puts himself in the shoes of a truant soldier and sings, “I stumble to the graveyard / and I lay down by my parents / whisper, ‘Just remember, duckies, / everybody gets got.'”
Like so many aging artists before him, it seems, Bowie has learned the Big Lesson: no matter how much money you make, how many sex partners you corral, or even how many masterpieces you produce, we’re all riding a one-way conveyor belt into the furnace of oblivion. Does that mean everything we’ve done is meaningless? Not really, Bowie seems to suggest on “Where Are We Now?,” “as long as there’s sun / as long as there’s rain / as long as there’s fire / as long as there’s me / as long as there’s you.”
In 1994, Johnny Cash and Rick Rubin made “American Recordings.” Its message? Cash’s genius was a whole lot bigger than the Country Western genre that has encased it for too long. In 1997, Dylan made the Grammy-winning album “Time Out of Mind.” His message? I may sing like a dying toad, but my journey is far from over. In 2008, the Rolling Stones made the concert film “Shine a Light.” Their message? We may be old, but we can rock as hard as anybody, anywhere.
Now it’s 2013, and David Bowie has just released “The Next Day,” and I think I know what he’s trying to say: he’s still here, and he hasn’t given up on us yet. Or, to quote the seventh song on the album, “If you can see me, I can see you.”
March 21, 2013 Posted by Jerry | David Bowie The Next Day | David Bowie | Leave a comment
David Bowie The Next Day (2013)
CD » “I am a seer, I am a liar,” David Bowie intones on one of several doleful songs on “The Next Day.” No, he isn’t smiling. Instead, the chameleon androgyne, who has from the beginning worshipped the goddess of reinvention, takes his new set of riffs into somber territory. Which doesn’t mean there aren’t plenty of loud and rousing moments.
The title track rocks forth courtesy of a fine guitar hook. “I’d Rather Be High” moves jauntily toward a memorable, Beatlesque chorus. “(You Will) Set the World on Fire” is as propulsive as it is catchy. But somewhere between mentions of a sun-licked Nabokov, a gormless crowd and Mishima’s dog, a larger picture takes shape. Of the album’s mood, which is pensive.
Of its narrative, which is fragmented and gloomy. All of which makes “Next Day” at once familiar and inventive. Even while symbolically leaving the past behind (by superimposing the artwork of his new album over that of 1977’s “Heroes”), Bowie ventures back to Berlin, where “Heroes” was made. The nostalgia is partly existential: “Where Are We Now,” he asks on his affecting first single; “I don’t know who I am,” he sings on “Heat.” The lyrics traverse the falsities of love, celebrity worship, the effect of sharing the world with the masters of war.
Bowie’s voice is strong and nuanced throughout, whether conveying irony or disaffection or melancholy. The paradox is that even when his words are pessimistic, his music enlivens.
And so, one’s head nods as a baritone sax honks jazzily on “Dirty Boys,” which evokes those to-hell-with-it pleasures of youth.
And so, one’s feet stir from the first notes of “Dancing Out in Space.” Then, suddenly, it’s as if all of Bowie’s alien incarnations came back to life.
March 20, 2013 Posted by Jerry | David Bowie The Next Day | David Bowie | Leave a comment
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Rex Talk Talk Tangerine Dream Ted Nugent Television Ten Years After Terry Reid The Alan Parsons Project The Allman Brothers The Beach Boys The Beatles The Black Crowes The Blue Nile The Byrds The Clash The Darkness The Dark Side Of The Moon The Derek Trucks Band The Doobie Brothers The Doors The Ducks The Eagles The Edge The Faces The Firm The Flying Burrito Brothers The Incredible String Band The Kinks Thelonious Monk The Moody Blues The New Barbarians The Nice The Orb The Outlaws The Ozark Mountain Daredevils The Rolling Stones The Smashing Pumpkins The Smiths The Stooges The Stranglers The Tubes The Velvet Underground The War on Drugs The Who The Yardbirds Thin Lizzy Third World Tim Buckley Todd Rundgren Tomita Tommy Bolin Tom Petty and the Heartbreakers Tony Banks Traffic Tyler Bryant U2 UFO Uriah Heep Van Der Graaf Generator Van Halen Van Morrison Walter Becker Warren Zevon Weezer West Bruce & Laing Wings Wishbone Ash Wynton Marsalis Yes Yngwie MalmsteenEvery Record/Book/DVD Reviewed (No.)
- ABC The Lexicon of Love (1)
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- Aerosmith – Walk This Way: The Autobiography of Aerosmith by Aerosmith & Stephen Davis (1)
- Aerosmith Get Your Wings (2)
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- Aerosmith Music From Another Dimension (1)
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- Aerosmith Rocks (3)
- Aerosmith selftitled (2)
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- Ahmet Ertegun: The Last Sultan: The Life and Times of Ahmet Ertegun by Robert Greenfield (1)
- Al Di Meola Across the Universe (1)
- Al Di Meola All Your Life – A tribute to the Beatles (1)
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- Art of Noise And What Have You Done With My Body (1)
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- Art of Nose Into Battle With The Art of Noise (1)
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- Beady Eye BE (3)
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- Beck Bogert & Appice Live in Japan (1)
- Beck, Bogert & Appice – Self Titled (1)
- Bert Jansch – Self-Titled (1)
- Bert Jansch Avocet (1)
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- Bill Graham Presents: My Life Inside Rock And Out by Bill Graham and Robert Greenfield (1)
- Bill Laswell Carlos Santana Devine Light (2)
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- Black Sabbath (debut album) (1)
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- Black Sabbath Sabbath Bloody Sabbath (1)
- Black Sabbath Vol. 4 (1)
- Blue Oyster Cult Agents of Fortune (1)
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- Bob Dylan Chronicles (1)
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- Bob Dylan In Concert (1)
- Bob Dylan The Bootleg Series Vol 8: Tell Tale Signs (1)
- Bob Dylan The Bootleg Series Vol. 10: Another Self Portrait (1)
- Bob Dylan The Bootleg Series: Vol. 9: The Witmark Demos: 1962-1964 (1)
- Bob Dylan Thin Wild Mercury Music (1)
- Bob Dylan: A Biography by Anthony Scaduto (1)
- Bob Dylan: Folk-Rock: The Bob Dylan Story by Sy Ribakove (1)
- Bob Marley & The Wailers Uprising (1)
- Bob Marley Burnin' (1)
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- Bob Seger Live Bullet (1)
- Bob Seger Night Moves (1)
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- Bobby Keys – Every Night's A Saturday Night: The Rock 'n' Roll Life of Legendary Sax Man Bobby Keys by Bobby Keys (1)
- Bobby Whitlock A Rock 'n' Roll Autobiography (1)
- Bobby Womack The Poet (1)
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- Boston Self Titled (1)
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- Bruce Springsteen Born In The Studio (1)
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- Bruce Springsteen High Hopes (1)
- Bruce Springsteen Live 1975-1985 (1)
- Bruce Springsteen Magic (1)
- Bruce Springsteen Nebraska (4)
- Bruce Springsteen Piece De Resistance (2)
- Bruce Springsteen Teardrops On The City (1)
- Bruce Springsteen The Ghost Of Tom Joad (3)
- Bruce Springsteen The Rising (2)
- Bruce Springsteen Tracks (1)
- Bruce Springsteen Tunnel Of Love (1)
- Bruce Springsteen Vintage Broadcast '75 (1)
- Bruce Springsteen Winterland Night (1)
- Bruce Springsteen You Can Trust Your Car To The Man Who Wears The Star (2)
- Buddy Guy Sweet Tea (1)
- Budgie – Self Titled (1)
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- Camel Mirage (1)
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- Caravan In the Land Of Grey and Pink (1)
- Carlos Santana & Buddy Miles Live (1)
- Carlos Santana & John McLaughlin Love Devotion Surrender (8)
- Carlos Santana Blues For Salvador (1)
- Carlos Santana Illuminations (1)
- Carlos Santana interview The Sunday Times 2005 (1)
- Carlos Santana on Africa Speaks (1)
- Carlos Santana Oneness: Silver Dreams Golden Reality (2)
- Carlos Santana The Epic Life of Carlos Santana (1)
- Carlos Santana The Swing Of Delight (3)
- Charlie Watts No One Impressed Charlie Watts Not Even The Stones (1)
- Cheap Trick At Budokan (1)
- Chet Atkins A Session with Chet Atkins (1)
- Chicago – Chicago II (1)
- Chick Corea Return To Forever (1)
- Chris Squire Fish Out of Water (2)
- Coldplay A Head Full of Dreams (1)
- Coldplay A Rush Of Blood To The Head (1)
- Coldplay Everyday LIfe (1)
- Coldplay Ghost Stories (2)
- Coldplay Music of the Spheres (1)
- Coldplay Mylo Xyloto (1)
- Coldplay Parachutes (1)
- Coldplay Viva la Vida (2)
- Coldplay X&Y (1)
- Colosseum Live (1)
- Colosseum Valentyne Suite (1)
- Counting Crows August and Everything After (1)
- Coverdale Page (2)
- Coverdale Page Over Now (1)
- Coverdale Page Two Days In The West (1)
- Crazy Horse – Selftitled (1)
- Crazy Horse Crazy Horse (1)
- Cream Fresh Cream (1)
- Cream Goodbye Tour Live 1968 (1)
- Cream Live At The Royal Albert Hall (1)
- Cream Live Cream Vol 1 (1)
- Cream Live Cream Vol 2 (1)
- Cream: 'We call it sweet and sour rock'n'roll' (1)
- Danger Mouse & Daniele Luppi Rome (1)
- Danger Mouse The Grey Album (1)
- Dave Brubeck Beyond Take Five (1)
- Dave Brubeck Jazz Goes to College (1)
- Dave Brubeck Time Out (2)
- Dave Brubeck Time Outtakes (1)
- Dave Mason Alone Together (1)
- David Bowie Black Star (1)
- David Bowie Black Tie White Noise (1)
- David Bowie Brilliant Adventure (1992-2001) (1)
- David Bowie Earthling (1)
- David Bowie Heathen (1)
- David Bowie Hours (1)
- David Bowie Hunky Dory (1)
- David Bowie Let's Dance (1)
- David Bowie Lodger (1)
- David Bowie Never Let Me Down (1)
- David Bowie Reality (1)
- David Bowie Scary Monsters (1)
- David Bowie Station To Station (4)
- David Bowie The Next Day (6)
- David Bowie Tonight (1)
- David Bowie Young Americans (2)
- David Bowie Ziggy Stardust And The Spiders From Mars (2)
- David Crosby If I Could Only Remember My Name (2)
- David Crosby: Long Time Gone by David Crosby & Carlos Gottlieb (1)
- David Gilmour 1st album (1)
- David Gilmour Live at Pompeii (1)
- David Gilmour Live In Gdansk (4)
- David Lee Roth Eat 'Em and Smile (1)
- Deep Purple (BBC) In Concert (2)
- Deep Purple Abandon (1)
- Deep Purple Bananas (1)
- Deep Purple Burn (2)
- Deep Purple Come Taste The Band (1)
- Deep Purple Days May Come and Days May Go: The 1975 California Rehearsals (1)
- Deep Purple Infinite (2)
- Deep Purple Live at Montreux 2006 (1)
- Deep Purple Live At The Olympia '96 (1)
- Deep Purple Made in Europe (1)
- Deep Purple Made In Japan (3)
- Deep Purple Now What?! (1)
- Deep Purple Perfect Strangers (1)
- Deep Purple Purplendicular (1)
- Deep Purple Rapture of the Deep (1)
- Deep Purple Stormbringer (1)
- Deep Purple The Battle Rages On (1)
- Deep Purple The House of Blue Light (1)
- Deep Purple Turning to Crime (1)
- Deep Purple Whoosh! (1)
- Def Leppard Hysteria (1)
- Def Leppard On Through The Night (1)
- Def Leppard Pyromania (1)
- Dennis Wilson Pacific Ocean Blue (2)
- Dexter Gordon Sophisticated Giant: The Life and Legacy of Dexter Gordon (1)
- Diary Of A Rock 'n' Roll Star by Ian Hunter (1)
- Dire Straights Communique (1)
- Dire Straits Love Over Gold (1)
- Don Henley Building the Perfect Beast (1)
- Don McLean American Pie (1)
- Donald Fagen Kamakiriad (2)
- Donald Fagen Morph The Cat (5)
- Donald Fagen Sunken Condos (3)
- Donald Fagen The Nightfly (4)
- Doyle Bramhall II Rich Man (1)
- Doyle Bramhall II Shades (1)
- Dream Theater Six Degrees of Inner Turbulence (1)
- Dream Theater Train of Thought (1)
- Duke Ellington Anatomy Of A Murder (1)
- Duke Ellington And His Mother Called Him Bill (1)
- Duke Ellington and his Orchestra “The Complete Columbia Studio Albums Collection 1951-1958” (1)
- Duke Ellington Far East Suite (4)
- Duke Ellington in England 1964 (1)
- Duke Ellington Indigos (1)
- Duke Ellington Latin American Suite (1)
- Duke Ellington Masterpieces (1)
- Duke Ellington Nutcracker Suites (1)
- Duke Ellington Peer Gynt Suites, Suite Thursday (1)
- Duke Ellington Such Sweet Thunder (3)
- Duke Ellington The Afro-Eurasian Eclipse (1)
- Duke Ellington The Conny Plank Session (1)
- Duke Ellington Three Suites (1)
- Duke Ellington, Charlie Mingus, Max Roach Money Jungle (1)
- Dwight Yoakam Guitars Cadillacs etc etc (2)
- Dwight Yoakam Hillbilly Deluxe (1)
- Eddie Van Halen 1978 interview (1)
- Edgar Winter They Only Come Out at Night (1)
- Elton John Blue Moves (1)
- Elton John Captain Fantastic & The Brown Dirty Cowboy (2)
- Elton John Goodbye Yellow Brick Road (4)
- Elton John Honky Chateau (1)
- Elton John Rock Of The Westies (1)
- Emerson Lake & Palmer – Self-Titled (2)
- Emerson Lake & Palmer Brain Salad Surgery (1)
- Emerson Lake & Palmer Tarkus (1)
- Emerson Lake & Palmer Works (1)
- Emmylou Harris Pieces of the Sky (1)
- Eric Clapton & JJ Cale The Road to Escondido (2)
- Eric Clapton & Wynton Marsalis Play The Blues: Live from Jazz At Lincoln Center (1)
- Eric Clapton – Clapton (1)
- Eric Clapton – Clapton: The Autobiography by Eric Clapton (1)
- Eric Clapton – Derek & the Dominos, “Layla and Other Assorted Love Songs: 40th Anniversary Edition” (1)
- Eric Clapton – Self-Titled (1)
- Eric Clapton 24 Nights (1)
- Eric Clapton 461 Ocean Boulevard (1)
- Eric Clapton and Steve Winwood Live From Madison Square Garden (1)
- Eric Clapton Another Ticket (2)
- Eric Clapton August (1)
- Eric Clapton – “I was in it to save the world. I wanted to tell the world about blues and to get it right" (1)
- Eric Clapton Back Home (1)
- Eric Clapton Backless (2)
- Eric Clapton Behind The Sun (2)
- Eric Clapton Crossroads (1)
- Eric Clapton Crossroads Vol 2: Live in the Seventies (1)
- Eric Clapton Delaney & Bonnie On Tour with Eric Clapton (1)
- Eric Clapton Derek & the Dominos In Concert (1)
- Eric Clapton Derek & The Dominos Live At The Fillmore (1)
- Eric Clapton E.C. Was Here (1)
- Eric Clapton From The Cradle (3)
- Eric Clapton Give Me Strength: The 1974/75 Recordings (2)
- Eric Clapton I Still Do (1)
- Eric Clapton Journeyman (2)
- Eric Clapton Just One Night (1)
- Eric Clapton Lady in the Balcony: Lockdown Sessions (1)
- Eric Clapton Live In San Diego (3)
- Eric Clapton Me and Mr. Johnson (1)
- Eric Clapton Money and Cigarettes (2)
- Eric Clapton No Reason To Cry (1)
- Eric Clapton Old Sock (1)
- Eric Clapton One More Car, One More Rider (3)
- Eric Clapton Pilgrim (2)
- Eric Clapton Reptile (2)
- Eric Clapton Sessions for Robert J. (1)
- Eric Clapton Slowhand (1)
- Eric Clapton Slowhand At 70-Live At The Royal Albert Hall (1)
- Eric Clapton The Breeze An Appreciation of JJ Cale (2014) (1)
- Eric Clapton The Many Faces of Eric Clapton (1)
- Eric Clapton The Rolling Stone interview 1968 (1)
- Eric Clapton Unplugged (1)
- Eric Clapton What Happened to Eric Clapton (2021) (1)
- Eric Johnson Ah Via Musicom (1)
- Erroll Garner article (1)
- Erroll Garner The First Artist to sue a Major Lable and Win (1)
- Fairport Convention Liege & Lief (1)
- Family Bandstand (1)
- Family Entertainment (1)
- Family Music in a Doll's House (1)
- Fleetwood Mac Live At The BBC (1)
- Fleetwood Mac Live in Boston (1)
- Fleetwood Mac Then Play On (1)
- Fleetwood Mac Tusk (2)
- Focus – Focus III (1)
- Focus 8 (1)
- Focus Hamburger Concerto (2)
- Focus Moving Waves (1)
- Foo Fighters The Colour and the Shape (1)
- Fotheringay Nothing More (1)
- Frank Zappa Apostrophe (1)
- Frank Zappa The Grand Wazoo Waka/Jawaka (1)
- Free – Self-Titled (2)
- Free Fire And Water (4)
- Free Free At Last (1)
- Free Heartbreaker (1)
- Free Highway (1)
- Free Songs Of Yesterday (2)
- Free Tons Of Sobs (4)
- Fripp & Eno (no pussyfooting) (1)
- Fripp & Eno Evening Star (1)
- Garbage 1st Album (1)
- Garbage Version 2.0 (1)
- Gary Moore Victims of the Future (1)
- Gary Wright The Dreamweaver (1)
- Gene Clark No Other (1)
- Genesis – Genesis (1)
- Genesis – Lyceum Definitive Master (1)
- Genesis – Self-Titled (4)
- Genesis 10 Of The Best (1)
- Genesis A Living New Story (1)
- Genesis A Trick Of The Outtakes (1)
- Genesis A Trick Of The Tail (9)
- Genesis A Trick Of The Tape (1)
- Genesis Albert Back In N.Y.C. (1)
- Genesis All The Help I Can Get (1)
- Genesis And Then There Were Three (5)
- Genesis Archives Vol 1 1967-1975 (3)
- Genesis Archives Vol 2 1976-1992 (3)
- Genesis Burbank 1976 (1)
- Genesis Daryl's Birthday Party (1)
- Genesis Definitive Chicago (1)
- Genesis Double Watchers (1)
- Genesis Duke (7)
- Genesis Duke's Misunderstanding (1)
- Genesis Duke's Source Live (1)
- Genesis Eruption (1)
- Genesis Forwards Backwards (1)
- Genesis Foxtrot (7)
- Genesis German Replies (1)
- Genesis Hallam Tapes (1)
- Genesis How Genesis journeyed from pioneering prog to eighties' superstardom (2012) (1)
- Genesis How they lost a guitarist (1)
- Genesis Live (2)
- Genesis Live The Way We Walk Volume Two – The Longs (1)
- Genesis Lyceum Definitive Master (1)
- Genesis Man On The Hammersmith (1)
- Genesis Nursery Cryme (6)
- Genesis Perfect "Three Sides Live" (1)
- Genesis Perform Their Surreal Classic ‘The Musical Box’ in 1973 (1)
- Genesis Return To Roma (1)
- Genesis Seconds Out (3)
- Genesis Selling England By The Pound (12)
- Genesis Shade Of Dawning (1)
- Genesis Six Of The Best Rehearsals & Live (1)
- Genesis Something Inside Me (1)
- Genesis Spectrum 1983 (1)
- Genesis The Brazilian '77 (1)
- Genesis The Demo Mix Down On Broadway (1)
- Genesis The Lamb Lies Down On Broadway (8)
- Genesis The Steam Of The Medley (2)
- Genesis Three Sides Live (6)
- Genesis Trespass (6)
- Genesis Wembley 1975 (1)
- Genesis Wind And Wuthering (7)
- Genesis: 20 Insanely Great Genesis Songs Only Hardcore Fans Know (2014) (1)
- Gentle Giant Acquiring the Taste (1)
- Gentle Giant Octopus (1)
- George Harrison All Things Must Pass (3)
- George Harrison Living in the Material World (1)
- George Winston Interview (1)
- Gerry Rafferty City to City (1)
- Ginger Baker Horses & Trees (1)
- Ginger Baker's Airforce Live 1970 (1)
- Girls Like Us Carole King Joni Mitchell Carly Simon – and the Journey of a Generation by Sheila Weller (1)
- Gorillaz The Now Now (1)
- Gorillaz: Song Machine Season One: Strange Timez (1)
- Graham Nash/David Crosby (1)
- Gram Parsons & The Roots Of Country Music by Bob Kealing (1)
- Gram Parsons Anthology (3)
- Gram Parsons by Bud Scoppa (1)
- Gram Parsons Fallen Angel DVD (3)
- Gram Parsons GP (2)
- Gram Parsons Grievous Angel (1)
- Gram Parsons Live 1973 (1)
- Gram Parsons Sacred Hearts & Fallen Angels (2)
- Gram Parsons The Byrds Sweetheart Of The Rodeo (4)
- Gram Parsons The Complete Reprise Sessions (6)
- Gram Parsons The International Submarine Band (1)
- Gram Parsons Twenty Thousand Roads (1)
- Gram Parsons with the Flying Burrito Brothers Live at the Avalaon Ballroom 1969 (1)
- Gram Parsons: An Intimate Biography of Gram Parsons by Jessica Hundley (1)
- Gram Parsons: Hickory Wind The Life And Times Of Gram Parsons (1)
- Grateful Dead American Beauty (1)
- Grateful Dead Anthem of the Sun (1)
- Greenslade Bedside Manners Are Extra (1)
- Greenslade Greenslade (1st album) (1)
- Greg Allman Low Country Blues (1)
- Gregg Allman: My Cross to Bear (book) by Gregg Allman (1)
- Gregg Rolie Looks Back on His Days With Santana, Journey, and Ringo Starr (1)
- Groundhogs Split (1)
- Groundhogs Thank Christ for the Bomb (1)
- Harry Nilsson Nilsson Schmilsson (1)
- Harry Nilsson Son of Schmilsson (1)
- Hawkwind Hall of the Mountain Grill (1)
- Hawkwind In Search of Space (1)
- Hawkwind Space Ritual (1)
- Herb Alpert Is… (1)
- Herb Alpert Whipped Cream & Other Delights Re-Whipped (3)
- Herbie Hancock Head Hunters (1)
- Hotel California: Singer-songwriters and Cocaine Cowboys in the L.A. Canyons 1967-1976 by Barney Hoskyns (1)
- Humble Pie Performance – Rockin' the Fillmore: the Complete Recordings (2)
- Humble Pie Smokin' (1)
- Humble Pie: quarrels, cocaine and unfulfilled potential (1)
- Iggy & The Stooges Metallic KO (1)
- Iggy & The Stooges Raw Power (1)
- Iggy Pop & James Williamson Kill City (1)
- Iggy Pop The Idiot (1)
- INXS Kick (1)
- Iron Butterfly In-A-Gadda-Da-Vida (1)
- Iron Maiden Powerslave (1)
- Iron Maiden Seventh Son of a Seventh Son (1)
- Isle of Wight Festival 1970 feature (1)
- J.J. Cale interview 2016 (1)
- J.J. Cale Naturally (2)
- Jack Bruce Composing Himself (book) (1)
- Jack Bruce Harmony Row (1)
- Jack Bruce More Jack Than God (1)
- Jack Bruce Songs For A Tailor (2)
- Jack Bruce Things We Like (1)
- Jackson Browne The Pretender (1)
- James Gang Live in Concert (1)
- James Gang Rides Again (1)
- James Gang Yer Album (1)
- James Taylor Mud Slide Slim (1)
- Jan Akkerman Profile (1)
- Jan Akkerman Tabernakel (1)
- Jan Hammer Oh Yeah? (1)
- Japan Adolescent Sex (1)
- Jean-Michel Jarre Oxygene (1)
- Jeff Beck Blow By Blow (4)
- Jeff Beck Blue Wind Over Yokohama (1)
- Jeff Beck Emotion & Commotion (7)
- Jeff Beck Flash (2)
- Jeff Beck interview rockcellarmagazine 2018 (1)
- Jeff Beck interview Rolling Stone 2018 (1)
- Jeff Beck interview Total Guitar 2016 (1)
- Jeff Beck Jeff (5)
- Jeff Beck Jeff Beck's Guitar Shop (2)
- Jeff Beck Live At BB King Blues Club (2)
- Jeff Beck Live at the Hollywood Bowl (1)
- Jeff Beck Live Remastered & Expanded (1)
- Jeff Beck Live With The Jan Hammer Group (1)
- Jeff Beck Performing This week…Live At Ronnie Scott's (3)
- Jeff Beck Performing This Week…Live at Ronnie Scott's DVD (1)
- Jeff Beck There And Back (3)
- Jeff Beck Who Else! (4)
- Jeff Beck Wired (5)
- Jeff Beck You Had It Coming (5)
- Jeff Beck: Hot Wired Guitar The Life Of Jeff Beck by Martin Power (1)
- Jeff Beck: the super-guitarist to end all super-guitarists (1)
- Jeff Buckley Grace (4)
- Jeff Wayne War of the Worlds – 30th Anniversary Edition (1)
- Jeff Wayne's Musical Version Of The War Of The Worlds The New Generation (1)
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- Stevie Ray Vaughan Couldn't Stand The Weather (2)
- Stevie Ray Vaughan In Step (1)
- Stevie Ray Vaughan SRV (1)
- Stevie Ray Vaughan Texas Flood (2)
- Stevie Ray Vaughn Caught In The Crossfire (1)
- Stevie Wonder A Time to Love (1)
- Stevie Wonder Characters (2)
- Stevie Wonder Hotter Than July (1)
- Stevie Wonder In Square Circle (1)
- Stevie Wonder Innervisions (1)
- Stevie Wonder Journey Through the Secret Life of Plants (1)
- Stevie Wonder Music Of My Mind (1)
- Stevie Wonder Songs In The Key Of Life (3)
- Stomu Yamashta's Go (1)
- Suede Dog Man Star (1)
- Supertramp Breakfast In America (8)
- Supertramp Crime Of The Century (6)
- Supertramp Crisis? What Crisis? (4)
- Supertramp Even In The Quietest Moments… (4)
- Syd Barrett Crazy Diamond (1)
- Syd Barrett The Madcap Laughs (2)
- Syd Barrett: 10 Things You Didn’t Know About Pink Floyd’s ‘Crazy Diamond’ (1)
- T. Rex Electric Warrior (2)
- Talk Talk Natural Order 1982 – 1991 (1)
- Tangerine Dream Phaedra (1)
- Tangerine Dream Rubycon (1)
- Ted Nugent – Selftitled (1)
- Tedeschi Trucks Band Layla Revisited (1)
- Television Adventure (1)
- Television Marquee Moon (1)
- Ten Years After A Space In Time (2)
- Ten Years After Cricklewood Green (1)
- Ten Years After Live At The Fillmore East (1)
- Ten Years After Recorded Live (1)
- Ten Years After Ssssh (2)
- Ten Years After The Troubled Tale of (1)
- Ten Years After Undead (2)
- Terry Reid River (1)
- Terry Reid: The life and times of Terry Reid, who turned down Led Zep and now records with Johnny Depp (1)
- The Alan Parsons Project I Robot (2)
- The Alan Parsons Project Tales Of Mystery And Imagination (1)
- The Allman Brothers At Fillmore East (3)
- The Allman Brothers Eat A Peach (1)
- The Allman Brothers Hittin' The Note (1)
- The Allman Brothers Shades of Two Worlds (1)
- The Beach Boys – Catch a Wave: The Rise Fall and Redemption of the Beach Boys' Brian Wilson by Peter Ames Carlin (1)
- The Beach Boys Feel Flows The Sunflower and Surf's Up Sessions 1969 – 1971 (2)
- The Beach Boys Friends (1)
- The Beach Boys Heroes And Villains: The True Story Of The Beach Boys by Steven Gaines (1)
- The Beach Boys Live Woodinville July 13th 2012 (1)
- The Beach Boys Pet Sounds (1)
- The Beach Boys Smile (1)
- The Beach Boys Smiley Smile (1)
- The Beach Boys Sunflower (3)
- The Beach Boys Surf's Up (4)
- The Beach Boys That's Why God Made The Radio (3)
- The Beach Boys Wild Honey (1)
- The Beatles Abbey Road (2)
- The Beatles All These Years Vol. 1 (1)
- The Beatles Anthology 2 (1)
- The Beatles Anthology 3 (1)
- The Beatles Anthology I (1)
- The Beatles Get Back film (5)
- The Beatles Help! (1)
- The Beatles Let It Be…Naked (1)
- The Beatles Love (1)
- The Beatles Revolver (1)
- The Beatles Rubber Soul (2)
- The Beatles Ultra Rare Trax Vol. 3 (1)
- The Beatles Unsurpassed Masters Vol. 1 (1)
- The Beatles White Album (2)
- The Beatles: Abbey Road to Ziggy Stardust: Off-the-record with The Beatles Bowie Elton and more by Ken Scott & Bobby Kowsinski (1)
- The Beatles: All You Need Is Ears The Inside Personal Story Of The Genius Who Created The Beatles by George Martin and Jeremy Hornsby (1)
- The Beatles: Here There And Everywhere My Life Recording The Music Of The Beatles by Geoff Emerick and Howard Massey (1)
- The Beatles: Revolution In The Head The Beatles Records And The Sixties by Ian MacDonald (1)
- The Beatles: The Biography by Bob Spitz (1)
- The Black Crowes Before the Frost/Until the Freeze (1)
- The Black Crowes interview in Riff Raff (1)
- The Black Crowes Shake Your Money Maker (2)
- The Black Crowes Southern Harmony & Musical Companion (3)
- The Blue Nile A Walk Across The Rooftops (1)
- The Byrds Sweetheart of the Rodeo (1)
- The Clash London Calling (1)
- The Darkness Permission To Land (1)
- The Derek Trucks Band Joyful Noise (1)
- The Derek Trucks Band Songlines (1)
- The Doobie Brothers Brotherhood (1)
- The Doobie Brothers Cycles (1)
- The Doobie Brothers Farewell Tour (3)
- The Doobie Brothers interview – Rock Magazine 1973 (1)
- The Doobie Brothers Live At The Wolf Trap (1)
- The Doobie Brothers Minute By Minute (1)
- The Doobie Brothers Quadio (1)
- The Doobie Brothers Stampede (4)
- The Doobie Brothers Takin' It To The Streets (1)
- The Doobie Brothers The Captain And Me (6)
- The Doobie Brothers The Doobie Brothers (1)
- The Doobie Brothers The Road Goes on Forever (1)
- The Doobie Brothers Toulouse Street (4)
- The Doobie Brothers What Were Once Vices Are Now Habits (4)
- The Doors – Riders on the Storm: My Life with Jim Morrison and the Doors by John Densmore (1)
- The Doors 1st Album (1)
- The Doors Absolutely Live (2)
- The Doors Alive She Cried (1)
- The Doors guitarist Robby Krieger recalls what it's like 'When You're Strange' (1)
- The Doors In Concert (1)
- The Doors LA Woman (1)
- The Doors LA Woman: The Workshop Sessions (1)
- The Doors Live at the Bowl (1)
- The Doors Live at the Bowl '68 (1)
- The Doors Live at the Hollywood Bowl (1)
- The Doors Live at the Isle of Wight (1)
- The Doors Live At The Matrix (1)
- The Doors Live In Boston (1)
- The Doors Live in New York (1)
- The Doors Live in New York Felt Forum (1)
- The Doors Live In Vancouver (1)
- The Doors Strange Days (1)
- The Doors: Light My Fire by Ray Manzarek (1)
- The Doors: No One Here Gets Out Alive by Danny Sugarman (1)
- The Doors: Unhinged by John Densmore (1)
- The Eagles – Heaven and Hell: My Life in the Eagles (1974-2001) by Don Felder (1)
- The Eagles Long Road Out Of Eden (1)
- The Faces A Nod Is As Good As A Wink… (5)
- The Faces Coast to Coast: Overtures and Beginners (1)
- The Faces Electric Soup (1)
- The Faces First Step (2)
- The Faces Five Guys Walk Into A Bar… (11)
- The Faces Long Player (3)
- The Faces Ooh La La (3)
- The Faces Real Good Time (1)
- The Faces The Best of The Faces (1)
- The Faces Too Drunk For The BBC (2)
- The Faces: Had Me A Real Good Time: The Faces: Before During & After by Andy Neil (1)
- The Firm The Smugglers (1)
- The Flying Burrito Brothers Avalon Ballroom 1969 (1)
- The Flying Burrito Brothers The Gilded Palace Of Sin (3)
- The Flying Burrito Brothers: Hot Burritos The True Story of The Flying Burrito Brothers by John Einarson and Chris Hillman (1)
- The Georgia Satellites – Self Titled (1)
- The Incredible String Band The Hangman's Beautiful Daughter (1)
- The Kinks: God Save The Kinks by Rob Jovanovic (1)
- The Mamas & The Papas If You Can Believe Your Eyes and Ears (1)
- The Moody Blue This is the Moody Blues (1)
- The Moody Blues On the Threshold of a Dream (1)
- The New Barbarians Buried Alive: Alive in Maryland (1)
- The Nice Five Bridges (1)
- The Nice The Thoughts Of Emerlist Davjack (1)
- The Orb/David Gilmour Metallic Spheres (1)
- The Outlaws The epic story and why southern rock still matters (1)
- The Ozark Mountain Daredevils – 1st album (1)
- The Rolling Stones A Bigger Bang (7)
- The Rolling Stones Black And Blue (3)
- The Rolling Stones Blue & Lonesome (1)
- The Rolling Stones Bridges To Babylon (4)
- The Rolling Stones Brussels '73 (1)
- The Rolling Stones Dirty Work (4)
- The Rolling Stones Emotional Rescue (3)
- The Rolling Stones Exile On Main Street (3)
- The Rolling Stones From The Vault: Brussels Affair (1)
- The Rolling Stones From The Vault: No security San Jose '99 (1)
- The Rolling Stones From The Vault: The Marquee Club Live In 1971 (1)
- The Rolling Stones Fully Finished Studio Outtakes (1)
- The Rolling Stones Get Yer Ya-Ya's Out! (1)
- The Rolling Stones Goats Head Soup (3)
- The Rolling Stones Happy Birthday Nicky (1)
- The Rolling Stones Hot Rocks 1964-1971 (1)
- The Rolling Stones It's Only Rock n Roll (3)
- The Rolling Stones Knebworth (1)
- The Rolling Stones Let It Bleed (3)
- The Rolling Stones Live'r Than You'll Ever Be (3)
- The Rolling Stones Lonely At The Top (1)
- The Rolling Stones Love You Live (1)
- The Rolling Stones Some Girls (3)
- The Rolling Stones Steel Wheels (7)
- The Rolling Stones Sticky Fingers (6)
- The Rolling Stones Tattoo You (6)
- The Rolling Stones Undercover (6)
- The Rolling Stones Voodoo Lounge (6)
- The Rolling Stones Welcome To New York (3)
- The Rolling Stones: A Journey Through America With The Rolling Stones by Robert Greenfield (1)
- The Rolling Stones: According To The Rolling Stones by The Rolling Stones (1)
- The Rolling Stones: Up And Down With The Rolling Stones by Tony Sanchez (1)
- The Smashing Pumpkins Mellon Collie and the Infinite Sadness (1)
- The Smashing Pumpkins Siamese Dream (2)
- The Smiths Meat is Murder (1)
- The Smiths The Queen is Dead (1)
- The Stooges Complete Funhouse Sessions (1)
- The Stooges Live at Goose Lake August 8th 1970 (1)
- The Stranglers Rattus Norvegicus (2)
- The True Adventures Of The Rolling Stones by Stanley Booth (1)
- The Tubes – Self Titled (1)
- The Velvet Underground 1969 The Velvet Underground Live (1)
- The Velvet Underground Live at Max's Kansas City (2)
- The Velvet Underground Loaded (1)
- The Velvet Underground Squeeze (1)
- The Velvet Underground White Light/White Heat (1)
- The War on Drugs Lost in the Dream (1)
- The Who – Before I Get Old: The Story Of The Who by Dave Marsh (1)
- The Who – Spectrum 1973 (1)
- The Who – Who's Next/Life House (1)
- The Who Amazing Journey: The Story Of The Who (3)
- The Who At Kilburn 1977 (& The Coliseum 1969) (8)
- The Who Brussels 1972 (1)
- The Who By Numbers (2)
- The Who Charlton 1976 (1)
- The Who Charlton May 1976 (1)
- The Who Closer To Queen Mary (1)
- The Who Concert memories (1)
- The Who Danger! Over Head Live Wires (1)
- The Who Endless Wire (5)
- The Who Fillmore East 1968 (1)
- The Who Forest Hills 1971 (1)
- The Who Hollywood Palladium June 13th 1969 (1)
- The Who Join Together (1)
- The Who Keith's Final Live (1)
- The Who Largo 1973 (1)
- The Who Little Billy Relaxes At The Fillmore (1)
- The Who Live 1971 (1)
- The Who Live At Hull 1970 (6)
- The Who Live At Leeds (12)
- The Who Live At The Fillmore 1969 (1)
- The Who Live at the Fillmore East 1968 (3)
- The Who Live At The Isle Of Wight 1969 (1)
- The Who Live At The Isle Of Wight 1970 (4)
- The Who Live At The Isle Of Wight 1970 DVD (2)
- The Who Live In Texas '75 (2)
- The Who Live Tommy Ottawa 1969 (1)
- The Who Meaty Beaty Big & Bouncy (2)
- The Who Odds And Sods (6)
- The Who Over The Weekend (1)
- The Who Quadrophenia (10)
- The Who San Diego 1976 Mike Millard Master Tapes (1)
- The Who Sell Out (2)
- The Who Sensation: The Story of The Who's Tommy (1)
- The Who Spectrum 1973 (1)
- The Who Summer Jam 74, Charlton, London (1)
- The Who Summertime Mods (1)
- The Who Tales From The Who (2)
- The Who Tanglewood 1970 (2)
- The Who The Dutch Seduction (1)
- The Who The Kids Are Alright (3)
- The Who The Kids Are Alright DVD (5)
- The Who The Story Of The Who (1)
- The Who Thirty Years Of Maximum R 'n' B (4)
- The Who Tommy (5)
- The Who Unbelievable Fantastic (1)
- The Who View From A Backstage Pass (1)
- The Who Who (4)
- The Who Who Are You (2)
- The Who Who's Missing (1)
- The Who Who's Next (9)
- The Who Young Vic April 26th 1971 (2)
- The Who Young Vic Rehearsals (1)
- The Who: Won't Get Fooled Again by Richie Unterberger (2)
- The Yardbirds Five Live Yardbirds (1)
- Thelonious Monk Monk's Dream (1)
- Thin Lizzy Live and Dangerous (1)
- Third World 96 Degrees in the Shade (1)
- Third World Journey to Addis (1)
- Tim Buckley Happy Sad (1)
- Todd Rundgren Something/Anything? (1)
- Tom Petty and the Heartbreakers Damn the Torpedoes (1)
- Tomita Snowflakes Are Dancing (1)
- Tommy Bolin Teaser (1)
- Tony Banks A Curious Feeling (1)
- Tony Banks Still (1)
- Tony Banks: Banks Vaults, The Album 1979-1995 (1)
- Traffic John Barleycorn Must Die (1)
- Traffic On The Road (1)
- Traffic Shoot Out At The Fantasy Factory (1)
- Traffic The Low Spark Of High Heeled Boys (1)
- Traffic Traffic (1)
- Traffic Welcome to the Canteen (1)
- Tyler Bryant & The Shakedown Wild Child (1)
- U2 All That You Can't Leave Behind (1)
- U2's the Edge on All That You Can't Leave Behind (1)
- UFO Strangers in the Night (1)
- Uncategorized (11)
- Uriah Heep Demons and Wizards (1)
- Van Der Graaf Generator Do Not Disturb (1)
- Van Der Graaf Generator Godbluff (3)
- Van Der Graaf Generator H To He Who Am The Only One (3)
- Van Der Graaf Generator Pawn Hearts (3)
- Van Der Graaf Generator Present (1)
- Van Der Graaf Generator The Aerosol Grey Machine (2)
- Van Der Graaf Generator The Least We Can Do Is Wave To Each Other (3)
- Van Der Graaf Generator The Quiet Zone/The Pleasure Dome (2)
- Van Der Graaf Generator World Record (1)
- Van Halen 1984 (1)
- Van Halen 1st Album (1)
- Van Halen 5150 (1)
- Van Halen Selftitled (1)
- Van Halen The Battle for Van Halen: how Sammy Hagar triumphed over Dave Lee Roth (1)
- Van Morrison Astral Weeks (6)
- Van Morrison Hard Nose The Highway (1)
- Van Morrison His Band and The Street Choir (1)
- Van Morrison It's Too Late to Stop Now… Vols II, III, IV & DVD (1)
- Van Morrison Moondance (1)
- Van Morrison No Guru, No Method, No Teacher (1)
- Van Morrison Saint Dominic's Preview (1)
- Van Morrison Tupelo Honey (1)
- Walter Becker Circus Money (1)
- Walter Becker LA Times interview 1993 (1)
- Warren Zevon Self Titled (1)
- Warren Zevon: the man behind the demons (1)
- Weezer – Weezer (Blue Album) (1)
- West Bruce & Laing Why Dontcha (1)
- What You Want Is In The Limo by Michael Walker (3)
- Wishbone Ash Argus (3)
- Yes Close To The Edge (2)
- Yes Drama (1)
- Yes Fly From Here (2)
- Yes Fly From Here: Return Trip (2)
- Yes Fragile (2)
- Yes Keys To Ascension (1)
- Yes Keystudio (2)
- Yes Magnification (1)
- Yes Relayer (2)
- Yes Tales From Topographic Oceans (3)
- Yes The Ladder (1)
- Yes The Quest (1)
- Yes The Yes Album (1)
- Yes Union (2)
- Yngwie Malmsteen Rising Force (1)
A wonderful album that I have enjoyed since 1973